CURRENT AND PAST NEWS & EVENTS
Dates: July 20-21, 2017.
Location: PAF (Performing Arts Forum), ST Erme, France
The global moment is confirmation of the escalating cycle of violence manifested in displacement, dispossession and ultimately death. Daily we witness and are affected by the exodus of refugees from Syria – of a magnitude not seen since World War 2 and the exclusion of those same refugees at the borders of European nations and their internment in places like ‘the jungle’ in Calais. Daily there are accounts of the black and brown bodies that are being killed by police, militia and governments in the US, Brazil and elsewhere. And always this is played out in the context of continuing global colonial violence against racial and ethnic minorities and Indigenous peoples.
The workshop brought ogether artists, filmmakers, architects, curators, performers, and academics around the theme of “The Global Condition: Dispossession, Displacement, and Death.” Participants will meet and discuss pre-circulated writing and project proposals, as well as stage performances and produce artwork and installations, that take the workshop theme as a point of departure. We don’t as yet have funding to offer to cover participant travel.
It provided a context for exchange and dialog beyond the typical institutional and disciplinary boundaries of cultural and academic work that engages the contemporary politics of dispossession, displacement, and ultimately premature death. We intend the workshop “outcomes” to include written essays (single authored and collaborative pieces), documentation of performances, installations, and multimedia artwork, poetry, and transcribed collective conversations and interviews.
During two days workshop participants reflected upon the displacement, dispossession and death that attends the current global moment. Without making a prescriptive demand for the format some of the questions that might be engaged with include: How do we understand the violence that attends these moments? What ethical responses can be made to the violence? Is it possible to dismantle the architecture of oppression in any of its myriad iterations and forms including Empire, capitalism, neo-liberalism and settler colonialism? While the workshop may include presentations of a more traditional, text-based nature it is intended that this space will also engage with responses from a range of other disciplines. Participants are encouraged to think of their involvement in the form of art installations, music, interpretive dance to name but a few possibilities. The ultimate objective is to foster dialogue across disciplines and modes of thinking to engage with the questions that flow from the workshop title.
Anti-Colonial Machine Mini Conference
January 26-27th, 2017
The Critical Racial and Anti-Colonial Studies (CRACS) Research Network at the Social Justice Institute is excited to host a mini-conference featuring members* of the Anti-Colonial Machine collective. As a space for conversing about, around, and in spite of recent political, economic, and social developments, the program invites other members of the UBC and broader community to learn, engage in discussion, and reflect on crucial conceptual and political issues pertaining to collective, intersectional histories and futures of colonialism.
Video for Quartet for the End of Time available here:
Author Excerpts from Anti-Colonial Machine Mini Conference
February 23rd, 2107
Critical Ethnic Studies Association (CESA) Conference 2018
May 24-27, 2018
We are excited to announce that the Fourth International Conference of CESA will take place in Vancouver, CA at the University of British Columbia. This conference is hosted by the Critical Race and Anti-Colonial Studies (CRACS) Research Network at the Institute for Gender, Race, Sexuality and Social Justice at UBC.
Registration, submission, exhibitor/sponsor information forthcoming.
Visit www.criticalethnicstudies.org for more information about the association and its mandate!